Tal Paz-Fridman
Tal Paz-Fridman

Tal Paz-Fridman

Mitt navn er Tal Paz-Fridman, jeg er en fotograf som spesialiserer meg på kreativ-dokumentarisk fotografering. For å parafrasere beskrivelsen av en av favorittfotografene mine, Sam Abell, er fotografistilen min dokumentarisk i den forstand at jeg registrerer verden rundt meg. Imidlertid føler jeg at mitt beste arbeid har transcendente kvaliteter, som starter på dokumentarnivå, men er åpent for tolkning på et estetisk nivå.

Filtre

Interiør
Design
Winter Surfing III

Winter Surfing III

The Uniqueness of Waves XXXVI

The Uniqueness of Waves XXXVI

Cloud(s) 12

Cloud(s) 12

The Pink Half

The Pink Half

The Uniqueness of Waves XXXVII

The Uniqueness of Waves XXXVII

Atmosphere II

Atmosphere II

Scenes from Eilat 2018 32

Scenes from Eilat 2018 32

Blue Lupine 4

Blue Lupine 4

Overhead

Overhead

Mountains of Eilat 2

Mountains of Eilat 2

Clouds 7

Clouds 7

Winter is finally here

Winter is finally here

Electricity Plant

Electricity Plant

Fallen Leaves 0

Fallen Leaves 0

A Farewell to Day 7.2

A Farewell to Day 7.2

The Dead Sea

The Dead Sea

Scenes from Eilat 2018 30

Scenes from Eilat 2018 30

Cloud(s) #13

Cloud(s) #13

Orange, Green and Dark

Orange, Green and Dark

Just the two of us

Just the two of us

The fisherman I

The fisherman I

Balloons

Balloons

The Dead Sea #7

The Dead Sea #7

Cloudy with a touch of Pink

Cloudy with a touch of Pink

Storm #1

Storm #1

Winter Surfing II

Winter Surfing II

A Farewell to Day 7.1

A Farewell to Day 7.1

Autumn Clouds

Autumn Clouds

Twilight in the outdoors

Twilight in the outdoors

Crane(s) V

Crane(s) V

In light of current events IV

In light of current events IV

The Uniqueness of Waves XLVII

The Uniqueness of Waves XLVII

Powerful

Powerful

Breakup

Breakup

Winter Surfing VII

Winter Surfing VII

Out of the green

Out of the green

Lag BaOmer V

Lag BaOmer V

Winter leaves I

Winter leaves I

Aerial Show III

Aerial Show III

Fading memories 1

Fading memories 1

Crossroads

Crossroads

Natural Geometries I

Natural Geometries I

Sunrise over Ramon crater 6

Sunrise over Ramon crater 6

Lost inside the Louvre

Lost inside the Louvre

A Farewell to Day 2.2

A Farewell to Day 2.2

Rainy Day

Rainy Day

Storm #2

Storm #2

Seaside 2017 10

Seaside 2017 10

Gulf of Eilat 2

Gulf of Eilat 2

View of Gush Dan

View of Gush Dan

Sunrise over Ramon crater 7

Sunrise over Ramon crater 7

Memories from Crete #8

Memories from Crete #8

Seaside 29

Seaside 29

Sunset 1

Sunset 1

Crane(s) II

Crane(s) II

Clouds 4

Clouds 4

Yoreh III

Yoreh III

The Uniqueness of Waves LIII

The Uniqueness of Waves LIII

Seaside 36

Seaside 36

Branches and Leaves I

Branches and Leaves I

Seaside 27

Seaside 27

Black Clouds II

Black Clouds II

Clouds II A

Clouds II A

On the turning away

On the turning away

Sunrise over Ramon crater 3

Sunrise over Ramon crater 3

Office Space

Office Space

Blue Clouds I

Blue Clouds I

Morning has broken

Morning has broken

The Uniqueness of Waves XL

The Uniqueness of Waves XL

Seaside 32

Seaside 32

The Uniqueness of Waves LI

The Uniqueness of Waves LI

Whole 2

Whole 2

Mountains of the Judean Desert 5

Mountains of the Judean Desert 5

The Tree Top II

The Tree Top II

At the aquarium 5

At the aquarium 5

At the aquarium 3

At the aquarium 3

Seaside 23

Seaside 23

The Hula Valley 2

The Hula Valley 2

In light of current events VII

In light of current events VII

Syrian thistle

Syrian thistle

The Uniqueness of Waves LIV

The Uniqueness of Waves LIV

Seaside 9

Seaside 9

Pure Joy

Pure Joy

Late afternoon at the beach

Late afternoon at the beach

A Farewell to Day 3

A Farewell to Day 3

Mountains of Eilat 6

Mountains of Eilat 6

Overhead 11

Overhead 11

Mountains of Eilat 3

Mountains of Eilat 3

A New Day

A New Day

At the aquarium 4

At the aquarium 4

Black Clouds III

Black Clouds III

In light of current events VI

In light of current events VI

Seaside 47

Seaside 47

Two

Two

A Farewell to Day 2.3

A Farewell to Day 2.3

The Light Fantastic III

The Light Fantastic III

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